The original version of generation/mutation was launched on DIGITALSOULS.COM in March of 1998 with a simple call to artists. The call consisted of a few hand-coded HTML pages: a project description, a downloadable 41 Kb JPEG image file, and three instructions. Participating artists were asked to download the project’s seed image alter the image any … Read more
Liu Bolin’s work continues to amaze audiences around the world. His site specific installations often play on the theme of hiding in plain sight. Bolin is a master at making himself disappear in public places and situations. He makes himself invisible by painting himself, his face and clothes, to match the background behind him. With … Read more
The question is not as far fetched as you might think. And — even though this will not settle the matter — let me give you my answer right away: No, this post was not written by a machine. It was written by a real person, a human writer, me. I wrote it. But consider … Read more
You’d be forgiven for thinking that the designs of William Morris – his trellises and willows and honeysuckles – are a little out-of-date and irrelevant. Popular designs like Strawberry Thief adorn cushions and mugs, but do they really fit the modern interior? Surprisingly, not only have these botanical themes made a massive comeback, but Morris himself has been enjoying a new wave of popularity – as an environmental prophet and anarchist.
In times of deep distress I’ve often found the brutal, unsparing candor of Friedrich Nietzsche a strange comfort. While wholly enamored of the aristocratic, Hellenistic past of literary invention, the often bilious German philosopher nonetheless had no illusions about the nature of power, which does as it will and is not held in check by what we take for common values.
A new exhibition highlights the auteur’s keen eye for design and the work of collaborators like Saul Bass and Milena Canonero.
20 years after his death, the vision of auteur Stanley Kubrick continues to resonate, whether in homages found in films like Ready Player One, the style of Christopher Nolan or album covers by the Arctic Monkeys.
The influence of his visual aesthetics came in part from Kubrick’s background as a photographer, and his collaborations with designers like Milena Canonero and Eliot Noyes to create the look of cinema classics like A Clockwork Orange and 2001: A Space Odyssey.
