After its launch on DIGITALSOULS.COM in 1998, interest in generation/mutation grew week by week. A steady stream of new contributions arrived almost daily. These early, human made contributions are presented here in generation/mutation 1.2
Malcolm Summer’s photographs take the viewer on a global journey. Based in Berlin, Germany, Summer explores the urban realities of cities like San Francisco, Honolulu, Barcelona, Rome, or Berlin. His images are fresh with an engaging balance of traditional perspectives and new discoveries.
Liu Bolin’s work continues to amaze audiences around the world. His site specific installations often play on the theme of hiding in plain sight. Bolin is a master at making himself disappear in public places and situations. He makes himself invisible by painting himself, his face and clothes, to match the background behind him.
The kiss is a symbol of love and intimacy. Many artists have produced iconic works about it. From Gustav Klimt’s masterpiece “The Kiss” (1907) to Warhol’s experimental 50 minutes silent film “Kiss” (1963), artists have taken up the gesture of the kiss as subject matter. A black & white photograph taken in the 1950’s by an unknown photographer in Nelson, BC, provided the inspiration for the Kissing Project (2017).
In a recent post, I drew a distinction between two groups of artists that use Google Street View as part of their creative work:
The launch of Google Street View services in 2007 was followed almost immediately by the emergence of its very own art genre: Street View Art. In 2011, just a few years after the launch of GSV, Pete Brook of Wired hailed the emergence of the new genre with exuberant excitement, announcing that
The Street View car is like the ultimate street photographer, a robo Cartier-Bresson methodically scouring the streets and documenting what it sees — Pete Brook, Wired
While Brook’s article offers a great selection of early Street View art, the comparison between a digital mapping machine and a hybrid mashup of RoboCop, a Hollywood created SciFi robotic police officer, and Henri Cartier-Bresson, the flesh and blood pioneer of street photography in the twentieth century, may seem hyperbolic and somewhat besides the point when it comes to the impact of Google’s Street View images on the arts and popular culture.
Recent World War One doc They Shall Not Grow Old mesmerised many over Christmas with its hours of colourised war footage, but the ability to add colour to black and white imagery is no longer in the domain of top-end production studios.
Created by GovTech Singapore, the website Colourise SG allows anyone to upload any black and white photo for a simple and almost instantaneous colourisation.