Inside the visual aesthetic of Kubrick’s films

A new exhibition highlights the auteur’s keen eye for design and the work of collaborators like Saul Bass and Milena Canonero.

2001: A Space Odyssey

Still from 2001: A Space Odyssey

20 years after his death, the vision of auteur Stanley Kubrick continues to resonate, whether in homages found in films like Ready Player One, the style of Christopher Nolan or album covers by the Arctic Monkeys.

The influence of his visual aesthetics came in part from Kubrick’s background as a photographer, and his collaborations with designers like Milena Canonero and Eliot Noyes to create the look of cinema classics like A Clockwork Orange and 2001: A Space Odyssey.

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The First Photograph of a Human Being

Human01D“I have seized the light. I have arrested its flight.”
LOUIS DAGUERRE, 1839

This picture, the earliest known photograph to include a recognizable human form, was taken in Paris, France, in 1838 by Louis Daguerre. The human in question is standing in the bottom-left of the photograph, on the pavement by the curve in the road. He is having his boots shined.

The exposure time for the image was around seven minutes, and although the street would have been busy with traffic and pedestrians, it appears deserted. Everything moving was too fast to register on the plate.

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Charting the Geo-History of Culture

vh720Bigger data gets the bigger picture . . . in this case, the big picture in the form of an amazing visualization of global cultural evolution. In Europe. Things move slowly at the beginning, when the only stars and centers of cultural gravity are Athens and Rome. Watch Europe flicker through the “dark” ages until the Renaissance lights up the map. Of course,  things really get going in the nineteen hundreds with the industrial revolution.

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Virtually Van Gogh

“I acknowledge that a man cannot perceive an object that does not exist; nor can he remember an object that does not exist; but there appears to me to be no contradiction in his conceiving an object that neither does nor ever did exist” (Thomas Reid, Essay 4 in Essays on the intellectual Powers of Man, 1785).

Lithuanian photographer and artist, Tadao Cern, created an interesting substitute for those who would like to see an actual, historical photograph of Vincent Van Gogh. Based on one of Van Gogh’s last self-portraits, Cern produced an intriguing digital simulation of a photograph of Van Gogh, a kind of digital Ersatz photograph, if you like.

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