In the realm of AI-generated content, Giacomo Miceli’s “Infinite Conversation” stands as a perplexing creation. Promising a never-ending dialogue between Werner Herzog and Slavoj Žižek, this online work lures users into a mesmerizing abyss.
Nobody uses the word computerized anymore. Its disappearance owes not to the end of computerization itself, but to the process’ near-completeness. Now that we all walk around with computers in our pockets (see also the fate of the word portable), we expect every aspect of life to involve computers in one way or another. But in 1967, the very idea of computers got people dreaming of the far-flung future, not least because most of them had never been near one, let alone brought one into their home.
A new exhibition highlights the auteur’s keen eye for design and the work of collaborators like Saul Bass and Milena Canonero.
20 years after his death, the vision of auteur Stanley Kubrick continues to resonate, whether in homages found in films like Ready Player One, the style of Christopher Nolan or album covers by the Arctic Monkeys.
The influence of his visual aesthetics came in part from Kubrick’s background as a photographer, and his collaborations with designers like Milena Canonero and Eliot Noyes to create the look of cinema classics like A Clockwork Orange and 2001: A Space Odyssey.