Mele kalikimaka 2020! It’s been a very difficult year for all of us. Economic hardships and the global Covid-19 epidemic have affected everyone this year. But despite the many difficulties the year has brought, I want to send out a quick message to wish you happy holidays and a good 2021!
Accidental Street Photography: Google Street View Scavengers
The launch of Google Street View services in 2007 was followed almost immediately by the emergence of its very own art genre: Street View Art. In 2011, just a few years after the launch of GSV, Pete Brook of Wired hailed the emergence of the new genre with exuberant excitement, announcing that
The Street View car is like the ultimate street photographer, a robo Cartier-Bresson methodically scouring the streets and documenting what it sees — Pete Brook, Wired
While Brook’s article offers a great selection of early Street View art, the comparison between a digital mapping machine and a hybrid mashup of RoboCop, a Hollywood created SciFi robotic police officer, and Henri Cartier-Bresson, the flesh and blood pioneer of street photography in the twentieth century, may seem hyperbolic and somewhat besides the point when it comes to the impact of Google’s Street View images on the arts and popular culture.
Was this post written by a machine?
This post was not written by a machine. It was written by a real person, a human writer, me. I wrote it. But consider the following opening sentences of a post
The First Eco-Warrior of Design
You’d be forgiven for thinking that the designs of William Morris – his trellises and willows and honeysuckles – are a little out-of-date and irrelevant. Popular designs like Strawberry Thief adorn cushions and mugs, but do they really fit the modern interior? Surprisingly, not only have these botanical themes made a massive comeback, but Morris himself has been enjoying a new wave of popularity – as an environmental prophet and anarchist.
Watch a Short 1967 Film That Imagines How We’d Live in 1999: Online Learning, Electronic Shopping, Flat Screen TVs & Much More
Nobody uses the word computerized anymore. Its disappearance owes not to the end of computerization itself, but to the process’ near-completeness. Now that we all walk around with computers in our pockets (see also the fate of the word portable), we expect every aspect of life to involve computers in one way or another. But in 1967, the very idea of computers got people dreaming of the far-flung future, not least because most of them had never been near one, let alone brought one into their home.
The Walkman’s Invention 40 Years Ago Launched a Cultural Revolution
In 1979, when Sony introduced the Walkman—a 14-ounce cassette player, blue and silver with buttons that made a satisfying chunk when pushed—even the engineers inside Sony weren’t impressed. It wasn’t particularly innovative; cassette players already existed, and so did headphones. Plus, the Walkman could only play back—it couldn’t record. Who was going to want a device like that?
Digital Nihilism on Tap: Download Nietzsche’s Major Works as Free eBooks
In times of deep distress I’ve often found the brutal, unsparing candor of Friedrich Nietzsche a strange comfort. While wholly enamored of the aristocratic, Hellenistic past of literary invention, the often bilious German philosopher nonetheless had no illusions about the nature of power, which does as it will and is not held in check by what we take for common values.
Messaging App Telegram Moves to Protect Identity of Hong Kong Protesters
WASHINGTON—Telegram, a popular encrypted messaging app, will allow users to cloak their telephone numbers to safeguard Hong Kong protesters against monitoring by authorities, according to a person with direct knowledge of the effort.
The update to Telegram, planned for release over the next few days, will allow protesters to prevent mainland Chinese and Hong Kong authorities from discovering their identities in the app’s large group chats.
Yayoi Kusama ‘Infinity Mirrored Room’ to Go on View Permanently at Crystal Bridges Museum in Arkansas
Most times, when Yayoi Kusama’s “Infinity Mirrored Rooms” get shown at museums, they stay on view for several months at a time, and during their run, they get stormed with visitors. But one U.S. museum has plans to keep a Kusama installation for much longer than usual.
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