Readymade Daily

Marcel Duchamp (1913)

You have to approach the thing with an indifference, as if you had no aesthetic emotion. – Marcel Duchamp

Marcel Duchamp’s invention of the readymade changed the course of twentieth century art. Investigating the question of whether it is possible to make a work that is not a work of art led him to select ordinary, industrially manufactured objects and to present them as works of art. One of the most important moments was the selection of the object. It was to happen with complete indifference, completely avoiding the influence of “taste.

On the occasion of Duchamp’s birthday (28 July 1887), DIGITALSOULS.COM presents a selection of digital readymades, selected with complete indifference by the random file function offered by Wikimedia. A new “digital readymade” is selected with Wikimedia’s random file function for each day, starting July 28, 2021., for as long as it is amusing. We may apply some selections or modifications to the original item, but a link to the original file is a random selection, perhaps with a Wikimedia bias in terms of available files and image topics, but no taste for sure.

 

Gallery

The choice of readymades is always based on visual indifference and, at the same time, on the total absence of good or bad taste. – Marcel Duchamp

Readymade Daily

A collection of digital readymades in honor of Marcel Duchamp's 134th birthday (July 28, 2021)

1280px_ISS059-E-123101_-_View_of_Earth
042822 - ISS059-E-123101_-_View_of_Earth
1280px-FvbBulacan0157_13
042722 - FvbBulacan
450px-Deer_mascot_installed_at_Mini_Zoo
042622 - Deer_mascot_installed_at_Mini_Zoo
1280px-Gare_de_chemin_de_fer_d'Oran_P1011241
051522 - Gare_de_chemin_de_fer_d'Oran
1280px-Roubaix_-_Paris-Roubaix,_le_13_avril_2014_(A22)
042522 - Roubaix_-_Paris-Roubaix,_le_13_avril_2014
768px_Hôtel_Weitz_n°3_Quai_Saint_Thomas_in_Strasbourg_(5)
042422 - Hôtel_Weitz_n°3_Quai_Saint_Thomas_in_Strasbourg
Tour_de_la_Pelotte_01
042322 - Tour_de_la_Pelotte
1280px-महिला_पुरोहित
042222 - महिला_पुरोहित
688px_El_Paso_Daily_Times_(El_Paso,_Tex.),_Vol._24,_Ed._1_Monday,_October_3,_1904_-_DPLA_-_f0e9d7d31c8305812dfb5947d3e6dbe5_(page_3)
042122 - El_Paso_Daily_Times_(El_Paso,_Tex.),_Vol._24,_Ed._1_Monday,_October_3,_1904
1280px-Vieste_The_Harbor_-_panoramio_(7)
042022 - Vieste_The_Harbor
1280px-DubecMichaelskirche_18
041922 - DubecMichaelskirche_18
1280px_Dongfang_Electric_Corporation_Building_-_Rajarhat_2016-07-30_5529
Dongfang_Electric_Corporation_Building_-_Rajarhat_2016-07-30
512px-Beursschouwburg_2015-06
041722 - Beursschouwburg_2015
490px-Ūdenstornis_Jūrmala
041622 - Ūdenstornis_Jūrmala
1280px_ISS043-E-304597_-_View_of_Earth
041522 - ISS043-E-304597_-_View_of_Earth
782px-Bush_Dragons
041422 - Bush_Dragons
Inspektor_GAI
041322 - Inspektor_GAI
768px-Coat_of_arms_Castello_Sforzesco
041222 - Coat_of_arms_Castello_Sforzesco
« of 21 »

“Digital readymades” have been rapidly accepted as common forms of artworks in recent new media art. Well known examples are  works that present collections of Google Street View imagery and other online scavenger works.

For more on digital readymades, please take a look at my new book generation/mutation: from crowdsourced to ai-sourced new media art, where I talk about the role of digital readymades in contemporary new media art.

 

Artist, philosopher, social impact entrepreneur. Editor of DIGITALSOULS.COM.
Visit https://hrayheine.com for more information

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