For Italian artist Leonardo Ulian, this is our universe. At its center: a microchip. Beyond: resistors, capacitors, inductors, transistors.Ulian’s “technological mandalas”—webs of circuitry in the form of the Hindu or Buddhist symbolic diagrams of the cosmos—are icons for an electronic age, and he’ll be exhibiting them this fall in Milan.
Dr. Hugo Heyrman’s online selection of short video loops offers a glimpse on the complexities of human behaviour and interactions. An intriguing mixture of urban anthropology and behavioral psychology, Heyrman’s work combines the elements of a virtual siteseeing tour exploring the streets of Antwerp, Netherlands, with the aesthetics of choppy motion loops – micro shorts, as Dr. Hugo calls them. The online work is part of Dr. Hugo’s Museums of the Mind.
The Big Here
It was 1978. I was new to New York. A rich acquaintance had invited me to a housewarming party, and, as my cabdriver wound his way down increasingly potholed and dingy streets, I began wondering whether he’d got the address right. Finally he stopped at the doorway of a gloomy, unwelcoming industrial building. Two winos were crumpled on the steps, oblivious. There was no other sign of life in the whole street.
“I think you may have made a mistake”, I ventured.
This installment of MIT Press series Software Studies has an unusual title, at least for the non-coding population. It is a single line of BASIC that, if the code is executed, prints an infinite string consisting of two characters, selected at random. The last instruction at the end of the program line (GOTO 10) instructs the computer to go back to the beginning of line 10 of the program, execute its instructions, and generate and print out another character based on the algorithm.
The microscopic particles were developed by myriads of voices. They make you feel the vitality as if lives are flowing over, and after a while, you will realize you are being covered by them, as if sinking into the deep psyche. Then, as if they correlate with the millions of flowing lives and nature in this world, reflecting and blending, we will eventually be touching the shared particles which connect all of us.
tmymtur’s peculiar voice texture includes many territories of ultra-high frequencies (super sonic waves), developing many sounds from ultra-high frequencies, marking over 20kHz – that human ears are incapable of catching.
“I acknowledge that a man cannot perceive an object that does not exist; nor can he remember an object that does not exist; but there appears to me to be no contradiction in his conceiving an object that neither does nor ever did exist” (Thomas Reid, Essay 4 in Essays on the intellectual Powers of Man, 1785).
Lithuanian photographer and artist, Tadao Cern, created an interesting substitute for those who would like to see an actual, historical photograph of Vincent Van Gogh. Based on one of Van Gogh’s last self-portraits, Cern produced an intriguing digital simulation of a photograph of Van Gogh, a kind of digital Ersatz photograph, if you like.